MADI Inputs
3 x MADI inputs via 75 ohm BNCs
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Fairlight Audio MADI Upgrade adds three coax MADI input and output connections to the single MADI on the Fairlight Accelerator card. That gives you a total of four MADI inputs and four MADI outputs for 256 inputs and outputs each at 24 bit / 48kHz!
Connected to your Fairlight Audio Accelerator, the Blackmagic Design Fairlight PCIe Audio MADI Upgrade adds 192 channels of MADI I/O to your DaVinci Resolve 17 system, raising the total MADI channel count to 256 inputs and outputs. This half-length card uses no additional PCIe bandwidth and hooks up to the Fairlight Audio Accelerator (required and available separately) through the supplied SATA cables.
3 x MADI inputs via 75 ohm BNCs
3 x MADI outputs via 75 ohm BNCs
Total of 192 inputs and outputs
24 bit / 48kHz
Single half length PCIe x4 board
4‑pin computer power cable connector.
Requires Fairlight Audio Accelerator.
Connection to Fairlight Audio Accelerator using three SATA cables.
Fairlight Audio MADI Upgrade board requires no additional PCIe bandwidth.
4W
Mac 10.15 Catalina or later.
Windows 10, 64-bit.
0° to 40°C (32° to 104°F)
-20° to 60°C (-4° to 140°F)
0% to 90% non-condensing
Fairlight Audio MADI Upgrade
3 x 30cm SATA cables.
1 x computer power cable.
1 Year Limited Manufacturer's Warranty.
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I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine