BUILT-IN EFFECTS
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Born out of a dynamic partnership between Slate Digital and Grammy®-nominated, multi-platinum record producer Scott Storch, Storch Filter is a must-have production tool that makes adding excitement and freshness to your sound easy.
With five built-in effects, an autofilter, and presets crafted by Scott himself, Storch Filter instantly streamlines your workflow. Whether you’re working on a thumping hip-hop track or a silky R&B ballad, Storch Filter is the perfect tool to inspire creativity without compromise.
BUILT-IN EFFECTS
Unlock Your Song’s Potential
Storch Filter features five built-in FX that you can apply to your filtered signal: reverb, chorus, saturation, a stereo spreader, and a phaser. These five effect modules are tied to the plugin’s cutoff and resonance knobs, so the more you adjust your signal, the more pronounced the selected effect(s). There’s also an FX Boost slider so you can further color your tone for even bolder results.
ONBOARD AUTOFILTER
From Pulsing to Pumping
Storch Filter also includes an on-board autofilter you can use to further warp your filtered signal. Choose from six different wave shapes, then dial in your rate, depth and phase parameters to achieve your desired sound. From a subtle pulse to a pumping groove or even polyrhythmic chaos, Storch Filter makes it easy to add unique character to your sound in a wide variety of ways.
PRO PRESETS
Instant Access to Incredible Sound
Looking for inspiration? No problem. Storch Filter is loaded with presets designed by Scott himself to fully highlight the plugin’s capabilities. Once you see how the pros put Storch Filter’s sonic capabilities to work, you’ll quickly understand how powerful this tool really is.
AT A GLANCE:
TECH SPECS:
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I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine