Total Video Inputs
8
Studio Furniture
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Brands A-F
Brands F-P
Radial Engineering POWERHOUSE 10 slot 500 Series power-rack, 19" 3RU, 1600 mA power supply
$1,489.00 AUD $1,699.00 AUDKali Audio IN-5 160 watt, 3-way Active Nearfield Studio Monitor (SINGLE)
$699.00 AUD $799.00 AUDMusical Instrument Brands
Cable Brands
Connector Brands
Create stunning multi camera live production with the world’s most advanced production switchers! ATEM switches between SD, HD or Ultra HD video standards so you can form exciting live production with a wide range of video sources such as cameras, disk recorders and slide shows or animation from computers. You get powerful features such as chroma key, creative transitions, media pool, downstream keyers, audio mixer, multi view and more!
8
6
270Mb, 1.5G, 3G, 6G.
2 x XLR. 2 x RCA.
2 x XLR Program.
None
4 x 10-bit SD/HD/Ultra HD 4K switchable. 2 channel embedded audio.
4 x HDMI type A, 10-bit SD/HD/Ultra HD 4K switchable. 2 channel embedded audio.
2 channel embedded into SDI output.
Tri-Sync or Black Burst.
On all 8 inputs.
1 x 10-bit SD/HD/Ultra HD 4K switchable.
1 x HDMI type A, 10-bit SD/HD/Ultra HD 4K switchable.
1 x 10-bit HD (Ultra HD 4K to HD).
1
1
1
1
Ethernet supports 10/100/1000 BaseT. Allows direct connection between panel and chassis, or via network.
525i59.94 NTSC, 625i50 PAL
720p50, 720p59.94
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p50, 1080p59.94
1080i50, 1080i59.94
2160p23.98, 2160p24, 2160p25, 2160p29.97
SMPTE 259M, SMPTE 292M, SMPTE 424M.
4:2:2
10-bit
REC 601, REC 709
720 x 480i 59.97Hz,
720 x 576i 50Hz,
1280 x 720 59.94Hz,
1280 x 720 50Hz,
1920 x 1080 59.94Hz,
1920 x 1080 50Hz,
3840 x 2160 23.98Hz,
3840 x 2160 24Hz,
3840 x 2160 25Hz,
3840 x 2160 29.97Hz.
Hardware based real time.
1 Line.
10 input x 2 channel mixer. Selectable On/Off/Audio-Follow-Video. Level and Peak metering. Master gain control. Analog outputs may be used for separate monitoring.
Yes, program x 1.
1 with Chroma/Linear/Luma key.
2
1
None
None
3
None
4
3
2
None
Minimum monitor resolution of
1366 x 768.
1 x 10
8
Red for program and green for preview indication.
Yes
Software or optional hardware panel.
2
20 with fill and key.
None
None
None
None
PNG, TGA, BMP, GIF, JPEG and TIFF.
None
None
Fill and key for each Media Player.
1 x 10 Views.
HD.
Minimum monitor resolution of 1366 x 768.
Built in LCD monitor for video and 42 LED buttons for Aux switching.
ATEM Software Control Panel included free for Mac 10.10 Yosemite, Mac 10.11 El Capitan or later and Windows 8.1 64-bit or Windows 10 64-bit.
Added via Ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included.)
Using USB connection directly connected to Mac or Windows computers. Includes ATEM Setup Utility
Set via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Setup Utility connected via USB to chassis.
Mac 10.14 Mojave,
Mac 10.15 Catalina or later.
Windows 8.1 and 10.
1 x Internal 100 - 240V AC.
60W
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 95% non-condensing
ATEM Production Studio 4K
Welcome wallet with QR code for software download
12 Month Limited Manufacturer's Warranty.
Warranty details can be found in the ATEM Switchers Operation Manual in the support page at www.blackmagicdesign.com
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I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine