SDI Video Inputs
2 x 12Gb/s and 2 x 6Gb/s SD/HD/2K/4K. Supports single/dual/quad link 4:2:2/4:4:4. 2D/3D switchable.
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UltraStudio 4K Extreme 3 is the world’s most advanced capture and playback solution for PCI Express and Thunderbolt computers! It features incredibly fast 40Gb/s Thunderbolt 3, advanced 12G‑SDI and HDMI 2.0 connections for working at up to 60 frames per second with deep color, 12‑bit RGB, support for HDR workflows via HDMI 2.0a and extremely large 4K frame sizes. Featuring the widest range of analog and digital connections, UltraStudio 4K Extreme 3 is compatible with virtually any camera, deck, router or display. There’s even an extremely powerful hardware encoder built-in that supports realtime H.265 encoding!
2 x 12Gb/s and 2 x 6Gb/s SD/HD/2K/4K. Supports single/dual/quad link 4:2:2/4:4:4. 2D/3D switchable.
2 x 12Gb/s and 2 x 6Gb/s SD/HD/2K/4K. Supports single/dual/quad link 4:2:2/4:4:4. 2D/3D switchable.
270Mb, 1.5G, 3G, 6G, 12G.
Supports 2 optional SMPTE modules.
4 x reclocked SD/HD/2K/4K linked to corresponding inputs.
2 x 12Gb/s and 2 x 6Gb/s SD/HD/2K/4K. Supports single/dual/quad link 4:2:2/4:4:4. 2D/3D switchable.
1 x Component YUV on 3 BNCs, 1 x composite NTSC/PAL on 1 BNC.
1 x Component YUV on 3 BNCs, 1 x composite NTSC/PAL on 1 BNC.
4 Channels of professional balanced analog audio via XLR connectors and 2 channels of consumer unbalanced via RCA connectors.
4 Channels of professional balanced analog audio via XLR connectors.
2 x 12Gb/s Optical Fiber.
2 Channels unbalanced with sample rate converter on BNC connector.
2 Channels unbalanced on BNC connector.
16 Channels embedded in SD/HD/2K/4K.
16 Channels embedded in SD/HD/2K/4K.
HDMI 2.0 type A connector with support for 2160p60
HDMI 2.0 type A connector with support for 2160p60
8 Channels embedded in SD/HD/4K.
8 Channels embedded in SD/HD/4K.
1 x 48V microphone input via XLR connector. Phantom Power switchable via software control.
1 x XLR Input.
1 x XLR Output.
1 x Reference input. Tri-Sync or Black Burst.
1 x Reference Loop Output. Tri-Sync or Black Burst.
Thunderbolt™ 3 (Mac OS and Windows), PCI Express 4 lane generation 2.
2 x built-in international AC power supply with IEC C14 inlet. 100-240V, 50-60Hz.
AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, HEVC, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR & DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2, Uncompressed 10-bit 4:4:4.
DaVinci Resolve, Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux.
Firmware built into software driver. Software driver loads upgrades at system start or via updater software.
DaVinci Resolve
Fusion
Final Cut Pro X
Adobe Premiere Pro CC
Avid Media Composer
Adobe After Effects CC
Avid Pro Tools
Steinberg Cubase
Steinberg Nuendo
Adobe Photoshop CC
The Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Tools On Air Just: Play & Live & In, Softron MovieRecorder & MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro & Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X & Studio & Broadcast, Uniplay One & CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity & InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard & Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Derivative TouchDesigner, Assimilate Scratch, Burst Video WebClip2Go, Burst Video [REC]Marker, Autodesk Flame, Zoom.
HDR and REC 2020 playback and capture is application dependent, check with your software vendor.
These are third party applications and support may vary, check with your software vendor.
525i59.94 NTSC, 625i50 PAL
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI 2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080i50, 1080i59.94, 1080i60
2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48, 2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI
SMPTE 259M, SMPTE 274M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M, SMPTE 435, SMPTE 2048-1, SMPTE 2081-10, SMPTE 2081-11, SMPTE 2082-10, SMPTE ST2108‑1, ITU-R BT.656 and ITU-R BT.601.
RP 188/SMPTE 12M-2 and closed captioning.
Television standard sample rate of 48 kHz and 24-bit.
4:4:4, 4:2:2
REC 601, REC 709, REC 2020.
HDR metadata packing, HLG and PQ transfer characteristics.
SDI output is configurable for Quad Link 3Gb/s via Blackmagic Desktop Video Utility. When using single link 12Gb/s on SDI A or dual link 6Gb/s on SDI A and B, SDI C and D will output downconverted HD.
525i59.94 NTSC, 625i50 PAL
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
720p50, 720p59.94, 720p60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30,
1080i50, 1080i59.94, 1080i60
Television standard sample rate of 48 kHz and 24-bit.
4:4:4, 4:2:2, 4:2:0
REC 601, REC 709, REC 2020.
HDR static metadata packing, HLG and PQ transfer characteristics.
HDMI 2.0b supports Deep Color and HDR. Automatically configures to connected display.
HDMI and SDI video connections are switchable between SD/HD/UHD and 4K. Component analog video connections are switchable between SD and HD.
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
ARGB, BGRA (8-bit RGB 4:4:4:4), r210 (10-bit RGB 4:4:4), R12B and R12L (12-bit RGB 4:4:4) up to 2160p30.
2vuy (8-bit YUV 4:2:2) and v210 (10-bit YUV 4:2:2) in all modes.
8, 10, 12-bit RGB 4:4:4 up to 2160p30 and 8, 10-bit YUV 4:2:2 in all standards.
2 x Thunderbolt 3 for Mac and Windows plus PCI Express Gen 2 for Mac, Windows and Linux. Includes Blackmagic Desktop Video SDK.
14 buttons for input selection. 5 inch color display.
2 x RS-422 deck control.
Hardware based real time H.265 encoder.
Built in, high quality hardware down converter outputs Ultra HD to HD with down-converted signal on SDI outputs C & D and HDMI output when connected to an HD-only TV.
Built in, high quality hardware down converter outputs HD to SD with down-converted signal on SDI output B, Component and Composite NTSC/PAL. SD output selectable between letterbox, anamorphic 16:9 and center cut 4:3.
Built in, high quality hardware up conversion from SD to 720HD or 1080HD on playback. Selectable between 4:3 pillarbox, 14:9 zoom and 16:9 zoom.
Built in, high quality hardware cross conversion from 720p to 1080HD and 1080HD to 720p on playback.
DaVinci Resolve, Final Cut Pro X internal effects. Adobe Premiere Pro CC Mercury Playback Engine effects. Avid Media Composer internal effects.
Hardware based real time.
Dual stream and frame packed capture & playback.
Requires a computer with either a Thunderbolt port or available PCI Express slot. Blackmagic PCI Express Cable Kit available separately for high speed PCI Express Gen 3 connection. Please check support pages to see the full system requirement.
Mac 12.0 Monterey,
Mac 13.0 Ventura or later.
Windows 10, 64-bit.
Windows 11.
Linux
2 x Internal 100 - 240V AC
5° to 40° C (41° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
UltraStudio 4K Extreme 3
Welcome wallet with QR code for software download
DaVinci Resolve SD card
3 Year Limited Manufacturer's Warranty.
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I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine