Effective Sensor Size
18.96mm x 10mm (Four Thirds)
Studio Furniture
Add your deal, information or promotional text
Distributed Brands
Brands A-F
Brands F-P
Radial Engineering POWERHOUSE 10 slot 500 Series power-rack, 19" 3RU, 1600 mA power supply
$1,489.00 AUD $1,699.00 AUDKali Audio IN-5 160 watt, 3-way Active Nearfield Studio Monitor (SINGLE)
$699.00 AUD $799.00 AUDMusical Instrument Brands
Cable Brands
Connector Brands
The Blackmagic Pocket Cinema Camera 4K features a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS-II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB-C expansion port for recording externally to disks, plus MFT lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.
18.96mm x 10mm (Four Thirds)
Active MFT mount.
Iris, focus and zoom on supported lenses.
13 Stops.
400 and 3200
4096 x 2160 (4K DCI) up to 60 fps
4096 x 1720 (4K 2.4:1) up to 75 fps
3840 x 2160 (Ultra HD) up to 60 fps
2880 x 2160 (2.8K anamorphic) up to 80 fps
2688 x 1512 (2.6K 16:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 4K DCI, 120 fps in 2.6K 16:9 and HD windowed.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
LCD capacitive touchscreen.
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x IRIS Button, 1 x Focus Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.
None.
1 x HDMI up to 1080p60
1 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
None.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI
1 x CFast card slot, 1 x SD UHS-II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
DaVinci YRGB.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 4096 x 2160, 4096 x 1720, 3840 x 2160, 2880 x 2160, 2688 x 1512 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT embedded in metadata.
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
Supports recording optional portrait mode metadata for all resolutions in Blackmagic RAW and ProRes.
Storage rates based on 30 frames per second.
4096 x 2160
Blackmagic RAW 3:1 - 136 MB/s
Blackmagic RAW 5:1 - 82 MB/s
Blackmagic RAW 8:1 - 51 MB/s
Blackmagic RAW 12:1 - 35 MB/s
Blackmagic RAW Q0 - 102 to 203 MB/s
Blackmagic RAW Q1 - 68 to 163 MB/s
Blackmagic RAW Q3 - 46 to 116 MB/s
Blackmagic RAW Q5 - 28 to 68 MB/s
Apple ProRes 422 HQ - 117.88 MB/s
Apple ProRes
Apple ProRes 422 LT - 54.63 MB/s
Apple ProRes Proxy - 24.25 MB/s
4096 x 1720
Blackmagic RAW 3:1 - 108 MB/s
Blackmagic RAW 5:1 - 65 MB/s
Blackmagic RAW 8:1 - 41 MB/s
Blackmagic RAW 12:1 - 28 MB/s
Blackmagic RAW Q0 - 81 to 162 MB/s
Blackmagic RAW Q1 - 55 to 130 MB/s
Blackmagic RAW Q3 - 37 to 93 MB/s
Blackmagic RAW Q5 - 22 to 55 MB/s
3840 x 2160
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s
2880 x 2160
Blackmagic RAW 3:1 - 96 MB/s
Blackmagic RAW 5:1 - 58 MB/s
Blackmagic RAW 8:1 - 36 MB/s
Blackmagic RAW 12:1 - 25 MB/s
Blackmagic RAW Q0 - 72 to 143 MB/s
Blackmagic RAW Q1 - 48 to 115 MB/s
Blackmagic RAW Q3 - 32 to 82 MB/s
Blackmagic RAW Q5 - 20 to 48 MB/s
2688 x 1512
Blackmagic RAW 3:1 - 63 MB/s
Blackmagic RAW 5:1 - 38 MB/s
Blackmagic RAW 8:1 - 24 MB/s
Blackmagic RAW 12:1 - 16 MB/s
Blackmagic RAW Q0 - 48 to 94 MB/s
Blackmagic RAW Q1 - 32 to 76 MB/s
Blackmagic RAW Q3 - 22 to 54 MB/s
Blackmagic RAW Q5 - 13 to 32 MB/s
1920 x 1080
Blackmagic RAW 3:1 - 33 MB/s
Blackmagic RAW 5:1 - 20 MB/s
Blackmagic RAW 8:1 - 13 MB/s
Blackmagic RAW 12:1 - 8.4 MB/s
Blackmagic RAW Q0 - 25 to 49 MB/s
Blackmagic RAW Q1 - 17 to 39 MB/s
Blackmagic RAW Q3 - 11 to 28 MB/s
Blackmagic RAW Q5 - 7 to 17 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
Mac 10.14 Mojave,
Mac 10.15 Catalina or later.
Windows 10.
1 x External 12V power supply.
1 x 2-pin locking connector.
Canon LP-E6.
Approximately 60 minutes
(recording at 24 fps without any external USB-C device connected)
12V-20V
Blackmagic Pocket Camera Battery Grip.
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera 4K
Lens turret dust cap
30W power supply with locking connector and international adapters
LP‑E6 battery
Welcome wallet with QR code for software download
Welcome card
DaVinci Resolve Studio with activation key
12 Month Limited Manufacturer's Warranty.
Subscribe now for insider access and ideas that spark imagination.
I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine