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Via Pocket Cinema Camera 6K Pro EVF connector
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The Blackmagic Pocket Cinema Camera Pro EVF is the perfect accessory to make outdoors and handheld shooting easy! You get a high quality viewfinder with built in proximity sensor, 4 element glass diopter with an incredible -4 to +4 adjustment, built in status information, and a digital focus chart. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has up to 70 degree swivel, and comes with a set of 4 eyecups including left and right eye.
Via Pocket Cinema Camera 6K Pro EVF connector
Integrated M4 x 3.3 (0.7 pitch) locking screw
1280 x 960
3.68 million dots
Micro OLED
Up to 60 fps
24 bit RGB, 16.7 million colors
4 element diopter.
-4 to +4
Auto ON/OFF controlled by inbuilt proximity sensor.
Viewfinder display configuration set via Monitor Page in camera menu settings.
Camera settings, status and meters displayed in top and bottom blank area.
Can be tilted +70° vertically.
4 x interchangeable silicone eye cups including small, medium, left eye and right eye.
Compatible with Pocket Cinema Camera 6K Pro.
Supports camera information from Pocket Cinema Camera 6K Pro.
0° to 40° C (32° to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera Pro EVF
Small Eye Cup
Medium Eye Cup
Left Eye Cup
Right Eye Cup
12 Month Limited Manufacturer’s Warranty.
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I really want to love this for my daughter. She loves playing with my Synthstrom Deluge and my Push 2 when it's plugged in and she sits in my lap.
On paper this is perfect. A tiny-hand friendly 'groovebox' that my 2yo (and myself) can fiddle with and watch the pretty lights change and hear the parameters sculpt the synth tone.
The problem is all the synth patches are decidedly in the acid and squelch realm. For the life of me I can't get a decent, lush patch. I understand the point is to let my child explore and just find and discover sounds but it all sounds so abrasive. If I zero out all the depth and LFO dials and listen to what I assume is an unmodulated, relatively clean patch it's still really atonal. There's none of the sweet subtractive sound I was expecting. Perhaps that's on me and my expectations.
There are no parameter clamps so your LFOs range from what sounds like .01hz to way up to 240hz. When these values are applied to modulation it's either unnoticeable or so full on that it mangles the sound. Yep, you need to keep the dial in the sweet spot, but clamping would solve this and keep the parameters in a much more musical range.
Speaking of modulation, by ear I often can't tell what the two mod dials are doing. That's partially on me, I need to do some manual diving, but I'm pretty experienced with synths and can usually tell the modulation in effect. And even then adjusting the depth usually doesn't do anything except make the sound even more abrasive. Sometimes it feels like it's delayed and only applies your modulation changes at the next sequence start, other times it's clearly real time.
So yeah. I love the idea of this and I'll keep it and see if I can't get any palatable sound out of it via MIDI, but as it stands I really don't think my daughter - who again, loves playing with other synths/devices when there's a decent sounding patch loaded - will be getting much use our of it.
Neutrik NE8FFX6-W CAT6A feedthrough coupler for cable extensions
There is one “small” problem with the Artiphon Orba travel case: the Artiphon Orba does not fit in it if you have dressed your Orba in the Artiphon Orba silicone skin. Otherwise it’s fine